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Louis by "taking the towns" and scenes along its course in the three successive seasons of 1846, 1847, and 1848, while in the latter year an associate named Rogers went downriver to sketch views of the stream's lower reaches.
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Lewis himself assembled material for his panorama of When this travelogue was unrolled before highly appreciative audiences in the United States and Europe, viewers doubtless enjoyed the illusion of sailing on the river aboard one of the popular steamboats that plied its waters at mid-century. Measuring 12 feet in width and more than 1,300 in length, Lewis' panorama reflected the vastness of his subject - the gigantic Mississippi itself. Primitive movies of this type, painted on enormous rolls of canvas that could be unwound from one cylinder and rewound onto another, were popular entertainment features of the mid-nineteenth century. This was a huge moving panorama picturing in two parts the upper and lower courses of the Mississippi River. Apparently it was planned while he was engaged in a far more extensive and completely different project which brought him fame, if not fortune, some years before any part of his book appeared in print. Henry Lewis was uniquely equipped to compile and illustrate such a work. It may thus be deduced that the German edition was intended as an elaborately illustrated Mississippi reader, designed to attract European immigrants to the vast and sparsely settled valley in the heart of North America. To enhance and explain the river scenes pictured in his lithographs, the artist selected for reprinting descriptions from the pens of skilled observers who knew the area at firsthand. Like the first printing of the 1850s, the 1923 edition has become a collector's prize, found in important libraries on both sides of the Atlantic.Ī compilation, rather than an original literary achievement, Das illustrirte Mississippithal consists in large part of extracts, often quoted without credit, from pertinent books, articles, newspapers, and other publications, loosely strung together with bits of Lewis' own prose. Christian Bay of the John Crerar Library in Chicago. An English prospectus issued at the time of publication announced that the "whole of the original German text has been reset and the pictures are executed by the same lithographic process as the original andĬoloured by hand." To contribute an introduction, dealing chiefly with the author, his career, and his book, the publishers enlisted the services of the distinguished American librarian and bibliophile, J.
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Gunther at Leipzig and Otto Lange at Florence as Number 3 of their Reprints of Rare Americana, the series title is misleading, for the text was completely reset from the "very good copy" then included in the Deutsche Staatsbibliothek of Berlin. Nevertheless, the book commanded sufficient interest among collectors and scholars to justify a second German edition in 1923. They combine to give American readers a vivid description of the country spanned by the great river as it appeared to an alert and talented observer in the mid-nineteenth century.įew complete copies of the German work, which was issued in twenty parts between 18, survived. Now, more than a hundred years after its first appearance in print, this fragment has been once more united with the bulk of Lewis' narrative in a retranslation designed to harmonize as closely as possible with the surviving sample of his English text.
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A beginning was made, too, on an English edition, but this proved abortive, and only a sixth of the text was published in the author's native tongue as The Valley of the Mississippi Illustrated.
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Embellished with nearly fourscore brilliant lithographs in full color, the work of 431 pages revealed the wonders of mid-America to the German-speaking audience in both words and pictures. There his descriptive narrative was translated into German, and in 1854 publication began under the title Das illustrirte Mississippithal. This American artist of English birth assembled his data while living on the Mississippi itself, and then removed to Düsseldorf on Europe's romantic Rhine to organize his material and give it permanent form. THE DRAMATIC SCENERY of the Mississippi Valley has never been better portrayed than by Henry Lewis, whose illustrated book on the subject appeared in the 1850s.
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Cairo, Illinois, and the Mouth of the Ohio River. Balustrade Bluffs with the Grand Staircase. The Camp of the United States Troops at Wabasha Prairie. The Steamboat "Grand Turk" Wooding at Night. The German Title Page of Das Illustrirte Mississippithal, 1858. The German Title Page of Das Illustrirte Mississippithal, 1854. The English Title Page of The Valley of the Mississippi Illustrated.